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- <text id=94TT1782>
- <title>
- Dec. 19, 1994: Cinema:Transcendental Meditation
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Dec. 19, 1994 Uncle Scrooge
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/CINEMA, Page 74
- Transcendental Meditation
- </hdr>
- <body>
- <p> Winona Ryder stars in Little Women, an entrancing version
- of a classic that, despite its gentility, speaks right to our
- time
- </p>
- <p>By Richard Schickel
- </p>
- <p> The March family is Santa Clueless. They are
- transcendentalists, so there are no angels in their
- outfieldmaybe just Ralph Waldo Emerson out for his evening
- stroll. They are the creation of a 19th century New England lady
- who never heard the phrase "family entertainment" but in her
- innocence imagined that by telling the story of one family going
- about the ordinary business of life, she could divert and
- instruct other families.
- </p>
- <p> You have to worry about Little Women. As a movie, it is
- exotic in all the wrong ways for today's market--all
- hoop-skirts, candlelight and genteel language. In Louisa May
- Alcott's world, heavy snowfall was a big-time special effect,
- sausages for breakfast made for a woozily joyful Christmas, and
- it was omnipresent death, not omnipresent divorce, that
- threatened childhood's serenity. Can a movie that faithfully
- reflects this life--at once harder and more innocent than
- ours--and does so without condescension, preachment or gross
- sentiment, make its way in our times?
- </p>
- <p> It deserves to. For director Gillian Armstrong and writer
- Robin Swicord have fashioned an entrancing film from this
- distinctly unfashionable classic. They do not so much dramatize
- the passage of the four March sisters from girlhood to womanhood
- as let it unfold. Over the years the sisters must cope with a
- father's absence (when he's not off fighting the Civil War, he's
- lost in philosophical musings), a mother's bustling idealism,
- romances appropriate and inappropriate, the constant threat of
- poverty and illness. Eventually Jo (the luminous Winona Ryder)
- embraces art and an older man (Gabriel Byrne); Meg (Trini
- Alvarado) embraces domesticity; Amy (played as a child by
- Kirstin Dunst of Interview with the Vampire, as a young woman
- by Samantha Mathis) embraces--and shapes up--the boy next door.
- And poor retiring Beth (Claire Danes, who stars in the TV series
- My So-Called Life) embraces death--with exemplary courage.
- </p>
- <p> Armstrong and Swicord have made the girls' mother (Susan
- Sarandon) something more of a feminist exemplar than she
- originally was; still, her social activism and her insistence
- that her children must claim their freedom do not seem
- anachronistic for a Concord woman of her time and class.
- </p>
- <p> Little Women gently but firmly asks us to penetrate its
- 19th century disguises and discover something of ourselves
- hiding in the dim past. There has always been a kind of awkward
- exuberance in the way this story looks life straight in the eye
- and sweetly, soberly embraces its basic experiences and
- emotions. It is this unspoken moral strength, which is not to
- be confused with the vulgar, politicized moralism of our time,
- that permits it to transcend its gentilities of expression and
- its lack of structural grace. And grants this lovely cast, these
- intelligent and passionate filmmakers, the year's unlikeliest
- triumph.
- </p>
- </body>
- </article>
- </text>
-
-